PARIS: Two broken fingers in a rugby match changed everything for Seiji Ozawa, the celebrated Japanese conductor who blazed a trail in classical music, connecting Eastern traditions with the West.
Public broadcaster NHK and other Japanese media reported on Friday (Feb 9) that Ozawa had died of heart failure at his home in Tokyo aged 88.
As a teenager, the maestro seemed destined for a career as a pianist. But he also had another passion – rugby – which his piano teacher’s mother banned him from playing.
Naturally, he defied her, and one day he broke his two index fingers in a ruck during a game, abruptly ending all hope of ever becoming a concert pianist.
It was only then the idea of conducting was floated.
Years later US President Barack Obama would gently chide the diminutive conductor for his costly act of rebellion.
“Now I have to say, looking at you Seiji, I’m not sure that was a good idea” taking part in that rugby match, Obama said.
“But fortunately, for the rest of us, it opened up the door to a career as a conductor.”
Broken fingers were not the only obstacle Ozawa had to a musical career.
He would later sum up his childhood as: “No money, my house.”
Born in northern China, which was then occupied by Imperial Japan, his family fled back to Tokyo as defeat in World War II loomed in 1944.
Although his father was a dentist, there was little cash to spare and Ozawa paid for his lessons by mowing his teacher’s lawn.
After the life-changing accident in 1950, it was his piano teacher who suggested the 15-year-old try conducting, an unknown world for Ozawa at the time.
But after seeing his first orchestral concert – Beethoven’s Piano Concerto No. 5, he later recalled with typical precision – he was hooked.
And Ozawa quickly shined.
BERNSTEIN AND VON KARAJAN
In 1958 he was named Japan’s most exceptional talent and the following year he went abroad, a move that proved a game-changer.
He met some of the greatest luminaries of the classical music world, including the composer and conductor Leonard Bernstein, becoming his assistant at the New York Philharmonic in the 1961-1962 season.
The following year the great conductor Herbert von Karajan took him on as assistant at the Berlin Philharmonic.
Ozawa went on to lead orchestras in Chicago, Toronto, San Francisco, and had a 29-year stint as musical director of the Boston Symphony Orchestra (BSO), where they named a concert hall after him.
He left in 2002 to become chief conductor at the Vienna State Opera until 2010.
The Vienna Philharmonic, with which Ozawa first collaborated at the 1966 Salzburg Festival, paid tribute to his “loving interaction with his colleagues and his charisma”.
“It was a gift to be able to go a long way with this artist, who was characterised by the highest musical standards and at the same time humility towards the treasures of musical culture,” Professor Daniel Froschauer, chairman of the Vienna Philharmonic, said in a statement.
Paying tribute to “one of his generation’s most sought-after and celebrated conductors”, Chad Smith, the CEO of the BSO, said Ozawa was “a force of nature on and off stage”.
He was “a musical genius who combined a balletic grace at the podium with a prodigious memory”.
“Seiji was all these things and much more to his fans around the world,” said Smith of the BSO’s longest-serving conductor.
Although he enjoyed his glittering career in the West, Ozawa never lost sight of his roots, founding an orchestra and the Seiji Ozawa Festival which is now one of Japan’s top classical music events.
Sport may have dashed his early hopes of becoming a pianist, but Ozawa never fell out of love with it – particularly baseball, Japan’s most popular sport.
He was the proud owner of a gold lifetime pass to US Major League Baseball.
Recalling his days in Boston, he said he had been particularly fond of ending a performance night by catching the end of a Red Sox game.
At the “end of a concert, I look at the television – and usually, baseball is longer than [the] concert so I ask Peppino, our driver, ‘Okay, Peppino, let’s go!’ And then I go” to the baseball stadium, he said.
A long battle with cancer forced Ozawa to withdraw from performing in 2010, only returning to the podium in 2014 when he was 78.
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